Baraka Center takes women from Nairobi's slums and helps them master the tools required to make a place for themselves in a society habitually indifferent to their existence. 


In June, 2019, my oldest friend Grant Williams and I went to Nairobi to make a movie about Baraka Center. Our intention was to introduce viewers to a group of women who are showing us a way we can set things right in the world.


This 48-minute movie takes you on an exploration of Nairobi’s  slums with the women who live there, and to Baraka Women’s Center, the AMAZING PLACE where they discover their gifts, choose their path, and deploy their powers.

During four decades as a cameraman, I met a lot of people who are really good at what they do. I saw that whatever their field – technology, business, education, science, sports, or the arts – leaders apply identical principles to the mastery of their craft. Only the vocabulary is different.


In the early '90s I saw an Esquire Magazine article by author and Aikido instructor George Leonard, who observed that top professional athletes share exactly five traits. Electrified by Leonard's discovery, I set out to investigate – to see if this pattern applied not just to athletes but to peak performers in any field.


My partner Susan and I crisscrossed America, recording conversations with leaders from sixteen different disciplines. The resulting PBS special, THE 5 KEYS TO MASTERY, confirmed that Leonard was right, that lifelong success is only complicated by its simplicity.

Viewer comments:

"...showed me perspectives I hadn't considered and brings mastery to every facet of life, learning, and ways of being. It reminds me of why I became a coach in the first place." 

           Donna Karlin, leadership coach, Ottawa, Ontario


"The movie was a great find. After watching it half a dozen times, I just let it keep playing to listen to the soundtrack. It came along at a critical juncture in my life and helped me considerably."  Frank Giovinazzi, Alexandria, VA


“We tend to think that time spent toiling away in one place is wasted when, in fact, we are learning! The 5 Keys DVD was the best gift that I got this year. It all makes sense to me now.”  Karra Duncan, filmmaker, NYC


“I showed the film to my students, and they were electrified.  I didn't sleep either Saturday night or Tuesday night, so I now know to view it during the day. The 5 Keys is a life-affirming and life-changing creation.”                                     Bob Doenges, martial arts instructor, Tulsa, OK


"Powerful and uplifting, transmitting the energy of self-actualization. It inspires the recognition that we all have an extraordinary potential and purpose, which can be fulfilled if we’re willing to pay the price—through surrender, diligence, guidance, vision, and risk." 

     Jessica Roemischer, composer, Berkshire Hills, MA


"One of the best things I've found on YouTube."                                     Vijay Rana, photographer, New Delhi, India

Ours were the first cameras allowed inside the walls of San Quentin. It was, in the fall of 1974, America's most violent prison. With unlimited access to the Adjustment Center, Death Row, cellblocks, exercise yards, and guard towers, I was part of a team who produced and filmed the critically-acclaimed (and censored) PBS documentary INSIDE SAN QUENTIN, broadcast by WGBH Boston in 1979.
Inspired by the prisoners who shared the most intimate details of their broken lives, LIFE WITHOUT is my 'Outlaw Cut.' Because the prisoners - and guards - didn't censor themselves for my camera, I felt a duty to make a version of the film that would not look away from their ugly, disturbing, poetic truths.


"I was blown away by your film."  Dustin Hoffman, actor, NY, NY


"After seeing the film, I was depressed and moved. My perceptions of San Quentin and other prisons will never be the same - I was there." John Harrison, San Francisco, CA


"A bleak look at the conditions and inmates of San Quentin Prison. Since the first step toward change is awareness, take that first vital step and watch." The Hollywood Reporter

No "Welcome" signs greet the 300,000 Kosovar refugees who poured across the Macedonian border in April 1999. But "NATO GO HOME" graffiti is everywhere. Equally unwelcome: the army of western media, including me. Our hosts are feeling tribal, resentful, and edgy. Their economy nosedives while ethnic tensions approach break point. 

I could be safely home in 24 hours; Macedonians enjoy no such luxury. I’m scared but, oddly, more concerned for them than for myself. I decide to tell the story of my stay at the "Hotel Macedonia."

Throughout the cold war, Soviet domination depleted this tiny Balkan country. Personal and collective identity, rooted in religion, ethnicity, and nation, helped people cope. After the breakup of Yugoslavia in 1991, sudden independence, without support from the West, condemned this fledgling republic to chronically empty pockets.

HOTEL MACEDONIA takes the viewer inside the conflict ravaging the Balkans, and strives for fresh insight into similar hotspots from Sudan and the Middle East to the inner cities of America.

This 66-minute non-fiction movie also chronicles the transformation of a cameraman from video soldier-of-fortune to producer-on-a-mission: to help convert the dog-eared recipe for war into a workable formula for prosperity—before the kitchen gets too hot for anyone but the insane.

Based on the book WORKING by Studs Terkel, STAYING ALIVE was a one hour pilot for a 13 episode series exploring the human spirit at work in America. Describing his book, Terkel wrote: "It's about a search for daily meaning as well as daily bread, for recognition as well as cash, for a sort of life rather than a Monday through Friday sort of dying. To be remembered was the wish, spoken and unspoken, of the heroes and heroines of this book."


Produced in 1980 by Susan Burgess-Lent and Dave Lent, STAYING ALIVE tells the stories of four remarkable people: Linda, a SF Muni bus driver; Willie, a BBQ chef and police officer; Bob, a standup comic; and Chong, a Levis sewing operator. STAYING ALIVE reflects the pain and joy, complexity and simplicity, boredom and excitement, belonging and alienation - everything that touches the common piece of American ground we call The Job.



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