Dave's Docs

Baraka Center takes women from Nairobi's slums and turns them into entrepreneurs. It is the epicenter of a paradigm shift in how marginalized women think about their place in a world habitually indifferent to their existence. 

 

Last June, my friend Grant Williams and I went to Nairobi to make a film about Baraka Center. Our intention was to introduce viewers to a group of women who believe Women's centers are a way we can set things right in the world. 

 

After seeing this film, we hope your city would say (if cities could watch films and talk:) "Hey, I want one of those!"

During four decades as a cameraman, I met a lot of people who are really good at what they do. I saw that whatever their field – technology, business, education, science, or the arts – leaders apply identical principles to the mastery of their craft. Only the vocabulary is different.

 

In the early '90s I saw an Esquire Magazine article by author and Aikido instructor George Leonard, who observed that top professional athletes share exactly five traits. Electrified by Leonard's discovery, I set out to investigate – to see if this pattern applied not just to athletes but to peak performers in any field.

 

My partner Susan and I crisscrossed America, recording conversations with leaders from sixteen different disciplines. The resulting PBS documentary, THE 5 KEYS TO MASTERY, confirmed that Leonard was right, that lifelong success is only complicated by its simplicity.

Featuring: Carlos Santana, BB King, Paul Reed Smith, Linus Torvalds, Eric Kandel, Steven Tobolowski, Kelly Clark, Wendy Rieger, Etirsa South, Launi Meili, Ivana Chubbuck, Dana Chladek, and George Leonard, 

 

Executive Producer, Al Cattabiani

Director, Dave Lent

Viewer comments:

"...showed me perspectives I hadn't considered and brings mastery to every facet of life, learning, and ways of being. It reminds me of why I became a coach in the first place." 

           Donna Karlin, leadership coach, Ottawa, Ontario

 

"The movie was a great find. After watching it half a dozen times, I just let it keep playing to listen to the soundtrack. It came along at a critical juncture in my life and helped me considerably."  Frank Giovinazzi, Alexandria, VA

 

“We tend to think that time spent toiling away in one place is wasted when, in fact, we are learning! The 5 Keys DVD was the best gift that I got this year. It all makes sense to me now.”  Karra Duncan, filmmaker, NYC

 

“I showed the film to my students, and they were electrified.  I didn't sleep either Saturday night or Tuesday night, so I now know to view it during the day. The 5 Keys is a life-affirming and life-changing creation.”                                     Bob Doenges, martial arts instructor, Tulsa, OK

 

"Powerful and uplifting, transmitting the energy of self-actualization. It inspires the recognition that we all have an extraordinary potential and purpose, which can be fulfilled if we’re willing to pay the price—through surrender, diligence, guidance, vision, and risk." 

     Jessica Roemischer, composer, Berkshire Hills, MA

 

"One of the best things I've found on YouTube."                                     Vijay Rana, photographer, New Delhi, India

Our cameras were the first to be allowed inside the walls of what was, in the fall of 1974, America's most violent prison. With unlimited access to the Adjustment Center, Death Row, cellblocks, exercise yards, and guard towers, I was part of a team who produced and filmed the critically-acclaimed (and censored) PBS documentary INSIDE SAN QUENTIN, broadcast by WGBH Boston in 1979.
 
LIFE WITHOUT is my 'outlaw cut,' inspired by the prisoners who shared the most intimate details of their broken lives. Because the prisoners - and guards - did not censor themselves for my camera, I felt a duty to make a film that would not look away from their ugly, disturbing, poetic truths.

 

"I was blown away by your film."  Dustin Hoffman, actor, NYC

 

"After seeing the film, I was depressed and moved. My perceptions of San Quentin and other prisons will never be the same - I was there." John Harrison, San Francisco CA

 

"A bleak look at the conditions and inmates of San Quentin Prison. Since the first step toward change is awareness, take that first vital step and watch." The Hollywood Reporter


No "Welcome" signs greet the 300,000 Kosovar refugees who poured across the Macedonian border in April 1999. But "NATO GO HOME" graffiti is everywhere. Equally unwelcome: the army of western media, including me. Our hosts are feeling tribal, resentful, and edgy. Their economy nosedives while ethnic tensions approach break point. 



I’m an independent news cameraman in Skopje – working on spec – with a purely mercenary ambition: to profit from the American networks coverage of the war and refugee crisis. I settle in with a Serb family and busy myself shooting video in the refugee camps. I bond with colleagues and hustle for assignments. By day five unsettling realities emerge: 1. There’s no work for me (an expensive miscalculation), 2. The corporate news media – focused on "sympathy for the refugees" are oblivious to the sounds of another Balkan war simmering on the Macedonian stove, and 3. An American with a television camera is not viewed as a welcome guest. 



I could be safely home in 24 hours; Macedonians enjoy no such luxury. I’m scared but, oddly, more concerned for them than for myself. I decide to tell the story of my stay at the "Hotel Macedonia."



Throughout the cold war, Soviet domination depleted this tiny Balkan country. Personal and collective identity, rooted in religion, ethnicity, and nation, helped people cope. After the breakup of Yugoslavia in 1991, sudden independence, without support from the West, condemned this fledgling republic to chronically empty pockets.



HOTEL MACEDONIA takes the viewer inside the conflict ravaging the Balkans, and strives for fresh insight into similar hotspots from Sudan and the Middle East to the inner cities of America.



This 65-minute program also chronicles the transformation of a cameraman from video soldier-of-fortune to producer-on-a-mission: to help convert the dog-eared recipe for war into a workable formula for prosperity—before the kitchen gets too hot for anyone but the insane.
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